Zuni Sacred Theatre.
American Indian Quarterly 7(3): 93-110.
A Resource for the Study of Early Ethnographic Film
Zuni Sacred Theatre.
American Indian Quarterly 7(3): 93-110.
Anthropologists at Zuni.
Proceedings of the American Philosophical Society 116 (4): 321-337.
Available via JSTOR.
We Have a Religion: The 1920s Pueblo Indian Dance Controversy and American Religious Freedom. Chapel Hill: University of North Carolina Press.
The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka’wakw in American ethnographic film.
In Allysson Nadia Field and Marsha Gordon, eds., Screening Race in American Nontheatrical Film. Duke University Press.
Kwakwaka’wakw on Film.
In Ute Lischke and David T. McNab, eds., Walking a Tightrope: Aboriginal People and Their Representations, pp. 305-334. Waterloo, Ontario: Wilfrid Laurier University Press
Visualizing Kwakwaka’ wakw Tradition: The Films of William Heick, 1951-63.
BC Studies 125/126: 99-146.
A pdf of this article may be downloaded here.
The Crawler, Navajo Healer.
The Masterkey 27 (January – February 1953): 5-10.
A pdf is available here.
Waterless Mountain. In Peter E. Palmquist, Perpetual Mirage: Photographic Narratives of the Desert West. New York: Whitney Museum of Art.
This text can be accessed here.
The Navajo Nightway and the Western Gaze.
boundary 2 19(3), 1492-1992: American Indian Resistance and Resurgence, pp. 57-76.
Available through JSTOR here.