Dwellers at the Source: Southwestern Indian Photographs of A.C. Vroman, from the A.C. Vroman Collection at the Natural History Museum of Los Angeles County. New York: Grossman.
Ehrenreich, Paul (1899)
Ein Ausflug nach Tusayan (Arizona) im Sommer 1898. Globus 74(4): 53-54, 74-78, 91-95, 138-142, 154-159, 172-174.
A pdf is available here
Holmes, E. Burton (1901)
Moki Land. In Burton Holmes, Travelogues, vol. 6, pp. 227-336. Battle Creek, Michigan: The Little-Preston Company.
A pdf is available here
Ruby, Jay (1980)
Franz Boas and Early Camera Study of Behavior. Kinesics Report 3(1): 6-11, 16.
Available as a pdf here
Morris, Rosalind C. (1994)
New Worlds from Fragments: film, ethnography, and the representation of Northwest Coast Cultures. Boulder and Oxford: Westview Press
Jacknis, Ira (1987)
The picturesque and the scientific: Franz Boas’ plan for anthropological filmmaking. Visual Anthropology 1 (1 ): 59-64.
Homiak, John P. (1990b)
The anthropological visualization of Haiti: reflections on the films of Melville Herskovits and Maya Deren. CVA Review, Spring 1990: 13-21.
Holm, Bill and George Irving Quimby (1980)
Edward S. Curtis in the Land of the War Canoes: A Pioneer Cinematographer in the Pacific Northwest.
Thomas Burke Memorial Washington State Museum Monograph no.2, 123pp. Seattle and London: University of Washington Press.
Evans, Brad and Aaron Glass, eds. (2014)
Return to the Land of the Head Hunters: Edward S. Curtis, the Kwakạwakạ’wakw and the Making of Modern Cinema. Bill Holm Center for the Study of Northwest Art in association with University of Washington Press.