From the Hopi Snake Dance to “The Ten Commandments”: Edward S. Curtis as Filmmaker. Studies in Visual Communication 8(3): 70-79.
A pdf is available here.
Lyon, Luke (1988)
History of Prohibition of Photography of Southwestern Indian Ceremonies.
In Reflections: Papers on Southwestern Culture in Honor of Charles H. Lange, Anne van Arsdall Poore, ed. Pp. 238-272. Papers of the Archaeological Society of New Mexico. Santa Fe: Ancient City Press.
A pdf is available here.
Udall, Sharyn R. (1992)
The Irresistible Other: Hopi Ritual Drama and Euro-American Audiences.The Drama Review 36(2): 23-43.
Mahood, Ruth I., ed. (1961)
Photographer of the Southwest. Adam Clark Vroman, 1856-1916. Los Angeles: Ward Ritchie Press.
Webb, William and Robert A. Weinstein (1973)
Dwellers at the Source: Southwestern Indian Photographs of A.C. Vroman, from the A.C. Vroman Collection at the Natural History Museum of Los Angeles County. New York: Grossman.
Ehrenreich, Paul (1899)
Ein Ausflug nach Tusayan (Arizona) im Sommer 1898. Globus 74(4): 53-54, 74-78, 91-95, 138-142, 154-159, 172-174.
A pdf is available here
Caldwell, Genoa, ed. (1977)
The Man Who Photographed The World: Burton Holmes Travelogues 1886-1938. New York: Harry N, Abrams
Holmes, E. Burton (1953)
The World is Mine. Culver City, California: Murray and Gee.
Depue, Oscar B. (1947)
My first fifty years in motion pictures. Journal of the Society of Motion Picture Engineers 49(6): 481-493.
Available here.
Holmes, E. Burton (1901)
Moki Land. In Burton Holmes, Travelogues, vol. 6, pp. 227-336. Battle Creek, Michigan: The Little-Preston Company.
A pdf is available here